The works in this exhibition aim to guide the audience on a journey from "selfhood" to "commonality." While "selfhood" may seem opposed to "commonality," the core of individuality often reveals identifiable, repeatable traits inherently tied to the concept of "commonality."
However, the interpretation of individuality inevitably revolves around the question of "who"—individuality arises from the individual, and this premise inherently implies the existence of a "who."
She organizes ambiguous games within the invisibility of everyday life—*the velvet prison* serves as a guide to action, and intense pain becomes a source of conviction.
Xue Ying's work spans social practice, installation, textiles, and text. She completed her undergraduate studies at the University of Leeds (Leeds, UK) and later earned a Master’s degree in the Public Sphere from the Royal College of Art (London, UK) in 2019.
Her practice reflects a longstanding interest in the position of female subjectivity within patriarchy. Through critical social practice, she explores feminist philosophy, radical activism, and power dynamics within Asian families, expanding the imagination surrounding diverse communities.
Born in 2002 in Zhejiang, Chen Zekai graduated in 2024 with a Bachelor's degree in Painting from East China Normal University.
His work explores media imagery shaped by entertainment-driven visual habits and the transformation of visual connections. Drawing from familiar yet ambiguous elements in everyday life, he reconstructs images through forms and similarities, navigating the unknown within them. His visual compositions function as imagined connections and constructed experiences that ultimately return to themselves.
Born in Shanghai and having lived in Guilin for five years, Teng Hongming is currently pursuing a graduate degree in Photography at Nanjing University of the Arts. He runs the WeChat public account “Rebirth Fire”.
Over the past two years, his work has stemmed from embodied experiences during meditation, walking, cycling, and train journeys. His practice explores the relationship between family and urban-rural dynamics, documenting and reenacting the pain experienced by his family members while also examining the natural forms of the land. Utilizing materials such as fabric, thread, metal objects, and dust, he bridges the transition from books to installations and from fragments of life to moving images—giving shape to the unspeakable and questioning the intentions behind the interplay of individual, collective, and societal forces.
Writer, curator, and artist. Yang Juntao’s critical writing and artistic practice focus on the traces of micro-power operations within specific visual material cultures, the visible and invisible conflicts and violence in everyday existence, and the organization and transformation of power proxies.
He is committed to countering the silent forces of ideology and the pervasive political apathy through discourse—at times hysterical. His current research interests include planetary cinema and geological thinking, digital infrastructure, and the ideology of theater architecture.
Yang Juntao is also a member of the Youth Working Committee of the Hubei Film Association. He holds degrees from Wuhan University and Columbia University and is currently based in New York and Nanjing.
(b. 1994) An independent artist and internet product manager currently living and working in Shanghai.
Chen Xi's painting style is rooted in personal memories and delicate emotions. She combines feelings with her experiences of the external world, using chaotic and conflicting colors to evoke a sense of unrest within tranquility and suppressed vitality.